KD
  • Home
  • About
    • Contributors List
    • Book Reviews
    • Award Nominations
    • Support
    • Contact
  • Press
  • Issues
    • Issue 50
    • Issue 49
    • Issue 48
    • Issue 47
    • Issue 46
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
    • Issue 29
    • Issue 28
    • Issue 27
    • Issue 26
    • Issue 25
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18
    • Serenity
    • Issue 17
    • The Audio Room
    • Issue 16
    • Issue 15
    • Issue 14
    • Play It Again
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6
    • Hand to Mouth
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1
  • Submissions

Elizabeth Gibson

As we wait to find out why I am bleeding again

The carpet in this place is like curls of fat cut from a chop,
or bloated white kelp – although it is really grey, or green,
it is impossible to see it clearly. It is so cold in here now
and I am so sleepy that my eyes are starting to go numb
 
to the subtleties of turquoise or teal. But the floor is full,
loud, swirling and flooding, fighting for ever more space.
It could be kale, piped icing, whipped cream, walnut innards,
brain, tripe, ferns or flame. Womb tissue, flecking upwards
 
towards ovaries. Parts of ears. Fungi gathered around a tree.
The golden scrolly decorations that burst from church pillars,
that I fixed on each night I sat in a wooden pew on the balcony
after I survived flu to sing in the choir for the Christmas play.
 
The cold is all you remember, and then pillars and carpets
dragged in like awkward kids, with curls and flabby edges
that from my own soft self, it would have been easy to reject.
But back then, I saw richness, gorgeous excess. Life, still going.

Biography

Picture
Elizabeth Gibson (she/her) is a poet in Manchester, UK, who writes about queerness, body image, and living with PCOS. She has been published in 404 Ink, Gigantic Sequins, Giving Room Mag, Lighthouse, Popshot, Sea Foam Mag, and Queerlings, and has been commissioned by Manchester Literature Festival, Beatfreeks, and Dibby Theatre. Her poem ‘Arrival’ was selected to represent Manchester as a City of Literature in Tartu, Estonia, where it appears on bus windows. She was awarded a grant from Arts Council England in 2021, to work on further exploring her queerness through poetry, and she has recently been collaborating with dancers and musicians. Find Elizabeth on her website: https://elizabethgibsonwriter.blogspot.com and @Grizonne on Twitter and Instagram.
back to issue
​Next Poem →
Picture
ISSN 2639-426X
© COPYRIGHT 2018-2021. ALL RIGHTS RESERVED.
  • Home
  • About
    • Contributors List
    • Book Reviews
    • Award Nominations
    • Support
    • Contact
  • Press
  • Issues
    • Issue 50
    • Issue 49
    • Issue 48
    • Issue 47
    • Issue 46
    • Issue 45
    • Issue 44
    • Issue 43
    • Issue 42
    • Issue 41
    • Issue 40
    • Issue 39
    • Issue 38
    • Issue 37
    • Issue 36
    • Issue 35
    • Issue 34
    • Issue 33
    • Issue 32
    • Issue 31
    • Issue 30
    • Issue 29
    • Issue 28
    • Issue 27
    • Issue 26
    • Issue 25
    • Issue 24
    • Issue 23
    • Issue 22
    • Issue 21
    • Issue 20
    • Issue 19
    • Issue 18
    • Serenity
    • Issue 17
    • The Audio Room
    • Issue 16
    • Issue 15
    • Issue 14
    • Play It Again
    • Issue 13
    • Issue 12
    • Issue 11
    • Issue 10
    • Issue 9
    • Issue 8
    • Issue 7
    • Issue 6
    • Hand to Mouth
    • Issue 5
    • Issue 4
    • Issue 3
    • Issue 2
    • Issue 1
  • Submissions